Monday, August 14, 2006

Charlie and the Chocolate Factory

CHARLIE AND THE CHOCOLATE FACTORY REVIEW:

- Another thing that gets on my nerves: people whining and complaining about remakes of movies in cases where the original movie was NOT EVEN AN ORIGINAL CONCEPT. Sure, remakes in general are getting to be a problem, and originality in general is getting increasingly harder to come by. But come on, Batman Begins is NOT a remake of Batman - the character existed LONG BEFORE Michale Keaton donned the cape and cowl. War of the Worlds is NOT a remake of the earlier movie - HG Wells wrote the book first. And CHARLIE AND THE CHOCOLATE FACTORY is NOT, I repeat NOT a remake of the Gene Wilder version. Why? BECAUSE DECADES EARLIER ROHL DAHL WROTE THE BOOK! Now Dahl was a genious, one of the greatest, most imaginative writers ever, and deserves credit for coming up with the idea in the first place. So if anything, we should be questioning the Gene Wilder version for straying from the original novel, not faulting the Tim Burton movie for straying from the earlier film. Now it so happens that I really like the Wilder version. I love Wilder as an actor, for one thing, and he is classic in that movie. The movie is a psychedellic, trippy, creepy, creative cult classic that many kids fondly remember from their youth. But is it a great movie? Gotta say no. Close, but no. It has great performances, great moments, but as a whole it is more of a novelty than something truly great. Now is the new version great? Hard to say so early in, but overall, it is a BETTER MOVIE than the first, and is more in keeping with the scope, breadth, and spirit of Dahl, which is to its credit. Now I didn't expect to really love this movie, but I came away from it very, very, impressed.

Burton was on his game here. This movie had his trippy visuals, his eccentric style in spades. But it had the cohesion and internal logic of his best movies like Edward Scissorhands, Nightmare Before Christmas, and Big Fish - and none of the messy, painful flaws of duds like Planet of the Apes. Sure, Burton was handicapped here - some of the scenes and characters can only be changed so much, and bare a striking similarity to the Wilder movie. But Burton infuses this movie with so much that is new and different - a subversive, mad-genious mentality pervades it - and it turns out to be plenty original and interesting. I won't dwell on the details, but basically in this movie it is, in fact, all in the details. Wonka's glances and expressions, the set design, the seamless, spell-binding f/x, the costumes, the inflection that the characters speak in. The movie has a timeless feel. You lose a sense of geography and history - you only know that Charlie, and Wonka and Veruca Salt and the rest are these classic storybook concoctions that work in any era. The movie works in plenty of humor. The child actors are great (Augustus Gloop is hilarious, Charlie is spot-on). The music and songs by Danny Elfman are just great, and the upadated take on the Oompa-Loompa /s is pretty funny and highly entertaining. Most of all this feels, unlike the earlier film, like a complete movie. The main characters grow and change. The storyarcs evolve and progress and end with satisfying conclusions. This is Tim Burton at his best - as a storyteller. He's telling you a familiar story but adding new bits and pieces. He's drawing out a world and vision uniquely his own even if the story itself is old hat. But Burton, Depp, and the rest are the ones you want telling you the story, because they are the ones with the vision to bring that antastical world to life and reimagine it one more time. My grade: A

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